Nothing Quite Like It

I'm Abigail, an actor and filmmaker from Orlando, Florida. Everybody wants to be an actor, waiting for opportunities to come to them. Only select individuals truly take a chance and go for it.

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Abigail is a graduate of Florida Southern College with a BFA in Theatre Performance and a minor in Film. Throughout college she held roles both on and off the screen, she wrote and performed in the short ‘Cutthroat’, which won best lighting at The Southern Reel Festival, as well as acting and editing the short ‘Brief’ which was a Lift-Off Global Network Official Selection. Abigail won 'Best Actress in a Minor Role’ as Miep in Anne Frank and was nominated for the role of Edith in Blithe Spirit. She also had the pleasure to act and co-direct a staging of ‘5 Women Wearing the Same Dress’ at Florida Southern College.
Out of school, Abigail was in the debut of ‘Mushy' at Orlando Fringe Festival. Seasonally, she works at Universal Studios Orlando: Halloween Horror Nights as a scare actor. She has been in HHN 31 Conjure the Dark scare zone, HHN 32 The Exorcist: Believer house, and this past year HHN 33 Triplets of Terror house. She's proud to have been in ‘Late Delivery’, a short comedy for the Greenlight Film Festival in St Petersburg, Florida.
Most recently, Abigail continues to create and act in her own short films such as 'Dear Diary' and 'The Editor'. She draws inspiration from Ayo Edebiri and Rachel Sennott. Abigail wrote, directed, acted in and produced 'Revenge Plan', a short film for the Orlando Independent Filmmakers Challenge, which premiered in September, winning numerous awards in the comedic category. Now, Abigail has joined St. Petes, Spitfire Comedy Theatre. Where she is in the Saturday Sketch Show and will be joining 'The Grind' improv troupe.
Abigail can be found on Instagram at @AbbyAlmondd, her website AbigailAlmond.net, or by email at AbigailAlmond5@gmail.com

GET TO KNOW ME

"An audition is about letting them see who you are, how you work, and how the material affects you. An audition should be as much for you as for them [the casting director]"

Harold Guskin, How to Stop Acting pg. 76

Interested? Let’s get in touch.